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Films and British National Identity
Author: Jeffrey Richards
Publisher: Manchester University Press
ISBN: 0719047439
Pages: 387
Year: 1997-09-15
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This book seeks to examine the ways in which the cinema has defined, mythified and disseminated British national identity during the course of the twentieth century. It takes the form of a series of linked essays which examine chronologically, thematically and by specific case studies of films, stars and genres the complexities and ambiguities in the process of evolution and definition of the national identity. It argues for the creation of a distinctive British national identity both in cinema and the wider culture. But it also assesses the creation of alternative identities both ethnic and regional and examines the interaction of cinema and other cultural forms (music, literature and television).
Freytag's Technique of the Drama
Author: Gustav Freytag
Publisher: Scholarly Press
Pages: 366
Year: 1894
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Babel and Babylon
Author: Miriam HANSEN
Publisher: Harvard University Press
ISBN: 0674038290
Pages: 389
Year: 2009-06-30
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Media Events
Author: Daniel DAYAN, Elihu Katz, Daniel Dayan
Publisher: Harvard University Press
ISBN: 0674030303
Pages: 320
Year: 2009-06-30
View: 465
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A Historical Guide to Edgar Allan Poe
Author: J. Gerald Kennedy
Publisher: Oxford University Press on Demand
ISBN: 019512149X
Pages: 247
Year: 2001
View: 636
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Explores historical and biographical details of the writer's life, as well as the unexpected dimensions of his accomplishments and influence.
Film and Stereotype
Author: Jörg Schweinitz
Publisher: Columbia University Press
ISBN: 0231151489
Pages: 372
Year: 2011
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Since the early days of film, critics and theorists have contested the value of formula, cliché, conventional imagery, and recurring narrative patterns of reduced complexity in cinema. Whether it's the high-noon showdown or the last-minute rescue, a lonely woman standing in the window or two lovers saying goodbye in the rain, many films rely on scenes of stereotype, and audiences have come to expect them. Outlining a comprehensive theory of film stereotype, a device as functionally important as it is problematic to a film's narrative, Jörg Schweinitz constructs a fascinating though overlooked critical history from the 1920s to today. Drawing on theories of stereotype in linguistics, literary analysis, art history, and psychology, Schweinitz identifies the major facets of film stereotype and articulates the positions of theorists in response to the challenges posed by stereotype. He reviews the writing of Susan Sontag, Roland Barthes, Theodor W. Adorno, Rudolf Arnheim, Robert Musil, Béla Balázs, Hugo Münsterberg, and Edgar Morin, and he revives the work of less-prominent writers, such as René Fülöp-Miller and Gilbert Cohen-Séat, tracing the evolution of the discourse into a postmodern celebration of the device. Through detailed readings of specific films, Schweinitz also maps the development of models for adapting and reflecting stereotype, from early irony (Alexander Granowski) and conscious rejection (Robert Rossellini) to critical deconstruction (Robert Altman in the 1970s) and celebratory transfiguration (Sergio Leone and the Coen brothers). Altogether a provocative spectacle, Schweinitz's history reveals the role of film stereotype in shaping processes of communication and recognition, as well as its function in growing media competence in audiences beyond cinema.
Geschichte des britischen Films
Author: Jörg Helbig
Publisher: J.B. Metzler
Pages: 334
Year: 1999-06-08
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Die Britische Filmindustrie im Überblick. Die Geschichte des britischen Films bietet eine umfassende Darstellung der Entwicklung des britischen Spielfilms von den Anfängen in der Stummfilmzeit bis zu den Produktionen der 90er Jahre wie z.B. "Vier Hochzeiten und ein Todesfall" oder "Trainspotting".
The Psychology of Advertising
Author: Walter Dill Scott
Pages: 269
Year: 1908
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Wabi-sabi for Artists, Designers, Poets & Philosophers
Author: Leonard Koren
Publisher: Imperfect Publishing
ISBN: 0981484603
Pages: 94
Year: 2008
View: 533
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An updated version of the classic volume on the beauty of things imperfect, impermanent, and incomplete.
Film Style and Technology
Author: Barry Salt
ISBN: 0950906654
Pages: 453
Year: 2009
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Film Style and Technology is a history of film style and its relationship to film technology. It also includes a theory of film analysis and demonstrates this theory using the films of Max Ophuls.
Arab Cinema
Author: Viola Shafik
Publisher: American Univ in Cairo Press
ISBN: 9774160657
Pages: 311
Year: 2007
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Since it was first published in 1998, Viola Shafik's Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history - economic, ideological, and aesthetic - with thought-provoking analysis,Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry's development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence onthe medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of "cultural repackaging."Now updated to reflect cultural shifts in the last ten years of cinema, this revised edition contains a new afterword highlighting the latest developments in popular film and in cinema d'auteur (art house movies), with a special focus on Iraq, Lebanon, and Palestine. While exploring problematicissues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decade.
Gothic Fantasy
Author: Edwin Page
Publisher: Marion Boyars
Pages: 287
Year: 2007-01
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Tim Burton's easily recognizable vision has made him one of the most enjoyable filmmakers. existence.
Popular Egyptian Cinema
Author: Viola Shafik
Publisher: American University in Cairo Press
ISBN: 1617973750
Pages: 272
Year: 2007-05-01
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In this groundbreaking work, film scholar Viola Shafik examines popular and commercial movies from Egypt's film industry, including a number of the biggest box-office hits widely distributed in Egypt and the Arab world. Turning a critical eye on a major player in Egyptian cultural life, Shafik examines these films against the backdrop of the country's overall socio-political development, from the emergence of the film industry in the 1930s, through the Nasser and Sadat eras, up to the era of globalization. In unearthing the largely contradictory meanings conveyed by different films, Popular Egyptian Cinema examines a broad array of themes, from gender relations to feminism, Islamism and popular ideas about sexuality and morality. Focusing on representations of religious and ethnic minorities primarily Copts, Jews, and Nubians Shafik draws out issues such as the formation of the Egyptian nation, cinematic stereotyping, and political and social taboos. Shafik also considers pivotal genres, such as melodrama, realism, and action film, in relation to public debates over highbrow and lowbrow culture and in light of local and international film criticism.
Present Continuous Past(s)
Author: Ursula Frohne, Mona Schieren, Jean-Francois Guiton
Publisher: Springer
ISBN: 3211254684
Pages: 223
Year: 2005-10-07
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With a history of more than 30 years, media art plays an increasingly important role in the international discourse on contemporary art. The reception of canonical video works and electronic media installations is however restricted to temporary and locally defined displays in museum exhibitions or confined to incomplete catalogue documentations. This volume provides a unique combination of theoretical reflections on the reproducibility, preservation of authenticity and juridical implications of emulation techniques with practical approaches to archiving methods and commercial aspects of media art’s accessibility. It is an indispensible guide to the pro’s and con’s for new forms of de-centralized systems of mediation and the growing demands for liberal rules and easy access to online-presentations of media art. Uncomparable to other current publications, the book offers a practical manual with checklists for relevant websites and content profiles of major distribution companies.
A Detour Around Infermental
Author: Dan Kidner, George Clark, Focal Point Gallery (Southend-on-Sea), James Richards
ISBN: 1907185062
Pages: 136
Year: 2013-03
View: 328
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'A Detour Around Infermental' examines the historical legacy and contemporary relevance of the video publication Infermental, the first international magazine on videocassettes, initiated by the Hungarian filmmaker Gabor Body in 1981."

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