Who Is Ana Mendieta Book PDF, EPUB Download & Read Online Free

Who Is Ana Mendieta?
Author: Christine Redfern
Publisher: The Feminist Press at CUNY
ISBN: 1558616764
Pages: 108
Year: 2011-07-01
View: 513
Read: 1077
The graphic biography of a cultural icon whose feminist work changed art history until her controversial death.
Where is Ana Mendieta?
Author: Jane Blocker, Ana Mendieta
Publisher: Duke University Press
ISBN: 0822323249
Pages: 165
Year: 1999
View: 258
Read: 308
An analysis of the career of Ana Mendieta, a Cuban-American feminist artist who came to prominence in the late 70s and early 80s, in terms of gender and performance theory.
Ana Mendieta
Author: Ana Mendieta
Publisher: Grassfield Press, Incorporated
ISBN:
Pages: 71
Year: 1993
View: 399
Read: 296

Covered in Time and History
Author: Howard Oransky, Laura Wertheim Joseph
Publisher: Univ of California Press
ISBN: 0520288017
Pages: 272
Year: 2015-09-15
View: 577
Read: 1110
This catalogue is published in conjunction with the exhibition Covered in Time and History: The Films of Ana Mendieta, organized by Lynn Lukkas and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota.
Unseen Mendieta
Author: Olga M. Viso, Ana Mendieta
Publisher: Prestel Pub
ISBN: 3791339664
Pages: 303
Year: 2008
View: 638
Read: 592
"Ana Mendieta (1948-1985) produced some of the most compelling images of body- and identity-oriented art of the 1970s. The tracks made by the artist dragging her blood-covered arms down a wall; the pigment-filled void of her silhouette pressed into a sandy beach, consumed by advancing waves; her bodily outline drawn by ignited gunpowder on the earth or set alight with fireworks against the night sky; and fetishistic goddess shapes molded in soil, adorned with flowers, resound in the histories of feminist art, performance and land art, and late twentieth-century Latin American art." "Despite major survey exhibitions by museums in the United States, Europe, and Latin America over the last decade, however, a large body of work by Mendieta remains unknown. Hundreds of 35 mm slides in the artist's personal archive, including many that document her extensive Silueta series - her signature "earth-body works" created in the landscapes of Mexico, Iowa, upstate New York, and Cuba between 1973 and 1981 - remain unpublished and are unknown even to the most knowledgeable of contemporary art scholars. In addition to the slide works published in this volume for the first time, there are selections from her many black-and-white photographic negatives and contact sheets, documenting unknown sculptural works produced in the early 1980s, as well as revealing pages from the artist's diaristic sketchbooks."--BOOK JACKET.
Ana Mendieta
Author: Ana Mendieta, Stephanie Rosenthal, Adrian Heathfield, Julia Bryan-Wilson
Publisher: Hayward Pub
ISBN: 1853323179
Pages: 240
Year: 2013
View: 405
Read: 172
During her short career, Ana Mendieta (1948-1985) created a body of work that was provocative and radically inventive. Using her own body, together with elemental materials - blood, fire, earth and water - she created visceral performances and ritual ephemeral 'earth-body' sculptures exploring life, death, rebirth and spiritual transformation.Born in Cuba but sent to America as a child, much of her art expresses the pain and rupture of cultural displacement and exile. Her images are compelling, mysterious and poetic. In some, the outline of her body is consumed by gunpowder, fireworks, or advancing waves; others record ancient goddess-forms moulded from sand, carved into rock, or incised in clay.This book includes an anthology of never seen before material including Mendieta's own writings and press coverage of her shows. Encompassing a wealth of her drawings, photography and filmography, it also provides a compre­hensive and enlightening perspective on this important artist's work.This title accompanies the first monograph exhibition of this artist in the UK at Hayward Gallery, 24 September - 15 December 2013.
Broad Strokes
Author: Bridget Quinn
Publisher: Chronicle Books
ISBN: 1452152837
Pages: 192
Year: 2017-03-07
View: 583
Read: 1289
Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 female artists from around the globe in text that's smart, feisty, educational, and an enjoyable read. Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from the Renaissance to Abstract Expressionism for the modern art lover, reader, and feminist.
Spit and Passion
Author: Cristy Road
Publisher: The Feminist Press at CUNY
ISBN: 1558618074
Pages: 128
Year: 2012-10-23
View: 828
Read: 1218
A twelve-year-old Cubanita finds refuge in punk music in this illustrated tour de force.
The Art of Cruelty: A Reckoning
Author: Maggie Nelson
Publisher: W. W. Norton & Company
ISBN: 0393082237
Pages: 304
Year: 2011-07-11
View: 1323
Read: 978
“This is criticism at its best.”—Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.
The Explicit Body in Performance
Author: Rebecca Schneider
Publisher: Routledge
ISBN: 1134876939
Pages: 256
Year: 2013-06-17
View: 408
Read: 526
The Explicit Body in Performance interrogates the avant-garde precedents and theoretical terrain that combined to produce feminist performance art. Among the many artists discussed are: * Carolle Schneemann * Annie Sprinkle * Karen Finley * Robbie McCauley * Ana Mendieta * Ann Magnuson * Sandra Bernhard * Spiderwoman Rebecca Schneider tackles topics ranging across the 'post-porn modernist movement', New Right censorship, commodity fetishism, perspectival vision, and primitivism. Employing diverse critical theories from Benjamin to Lacan to postcolonial and queer theory, Schneider analyses artistic and pop cultural depictions of the explicit body in late commodity capitalism. The Explicit Body in Performance is complemented by extensive photographic illustrations and artistic productions of postmodern feminist practitioners. The book is a fascinating exploration of how these artists have wrestled with the representational structures of desire.
Marlena
Author: Julie Buntin
Publisher: Henry Holt and Company
ISBN: 1627797637
Pages: 288
Year: 2017-04-04
View: 1189
Read: 1227
Book of the Month Club Indie Next Pick Nylon's Debut Book Club Pick Barnes and Noble Discover Pick The story of two girls and the wild year that will cost one her life, and define the other’s for decades Everything about fifteen-year-old Cat’s new town in rural Michigan is lonely and off-kilter until she meets her neighbor, the manic, beautiful, pill-popping Marlena. Cat is quickly drawn into Marlena’s orbit and as she catalogues a litany of firsts—first drink, first cigarette, first kiss, first pill—Marlena’s habits harden and calcify. Within the year, Marlena is dead, drowned in six inches of icy water in the woods nearby. Now, decades later, when a ghost from that pivotal year surfaces unexpectedly, Cat must try again to move on, even as the memory of Marlena calls her back. Told in a haunting dialogue between past and present, Marlena is an unforgettable story of the friendships that shape us beyond reason and the ways it might be possible to pull oneself back from the brink.
Cuban Palimpsests
Author: Jose Quiroga
Publisher: U of Minnesota Press
ISBN: 0816642141
Pages: 269
Year: 2005
View: 620
Read: 357
Four decades ago, the Cuban revolution captured the world’s attention and imagination. Its impact around the world was as much cultural as geopolitical. Within Cuba, the state developed a strictly defined national and collective memory that led directly from a colonial past to a utopian future, but this narrative came to a halt in the early 1990s. The collapse of Cuba’s sponsor, the Soviet Union, and the end of the Cold War preceded the so- called “Special Period in Times of Peace,” a euphemistic phrase that masked the genuine anxiety shared by leaders and people about the nation’s future. In Cuban Palimpsests, José Quiroga explores the sites, both physical and imaginative, where memory bears upon Cuba’s collective history in ways that illuminate this extended moment of uncertainty. Crossing geographical, political, and cultural borders, Quiroga moves with ease between Cuba, Miami, and New York. He traces generational shifts within the exile community, contrasts Havana’s cultural richness with its economic impoverishment, follows the cloak-and-dagger narratives of revolutionary and counterrevolutionary spy fiction and film, and documents the world’s ongoing fascination with Cuban culture. From the nostalgic photographs of Walker Evans to the iconic stature of Fidel Castro, from the literary expressions of despair to the beat of Cuban musical rhythms, from the haunting legacy of artist Ana Mendieta to the death of Celia Cruz and the reburial of Che Guevara, Cuban Palimpsests memorializes the ruins of Cuba’s past and offers a powerful meditation on its enigmatic place within the new world order. José Quiroga is professor and department chair of Spanish and Portuguese at Emory University. He is the author of Understanding Octavio Paz and Tropics of Desire: Interventions from Queer Latino America.
Visualizing Feeling
Author: Susan Best
Publisher: I.B.Tauris
ISBN: 1780767099
Pages: 208
Year: 2013-12-18
View: 1067
Read: 473
Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterizations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling to the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists--Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha--and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analyzed in detail. Visualizing Feeling also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.
Abject Performances
Author: Leticia Alvarado
Publisher: Duke University Press
ISBN: 0822371936
Pages: 232
Year: 2018-05-04
View: 999
Read: 675
In Abject Performances Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or celebration, artists such as Ana Mendieta, Nao Bustamante, and the Chicano art collective known as Asco employ negative affects—shame, disgust, and unbelonging—to capture experiences that lie at the edge of the mainstream, inspirational Latino-centered social justice struggles. Drawing from a diverse expressive archive that ranges from performance art to performative testimonies of personal faith-based subjection, Alvarado illuminates modes of community formation and social critique defined by a refusal of identitarian coherence that nonetheless coalesce into Latino affiliation and possibility.
Performance Artists Talking in the Eighties
Author: Linda Montano
Publisher: Univ of California Press
ISBN: 0520210220
Pages: 537
Year: 2000
View: 176
Read: 330
"Linda Montano is the ultimate practitioner of art in life, life in art. These conversations with other artists about four primal aspects of the everyday—sex, food, money, death—uncover the heart, the nerve, and the scar tissue behind some of the late 20th century's edgiest work."—C.Carr, The Village Voice

Recently Visited