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Their Eyes Were Watching God
Author: Zora Neale Hurston
Publisher: University of Illinois Press
ISBN: 0252017781
Pages: 231
Year: 1991
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When Janie Starks returns home, the small Black community buzzes with gossip about the outcome of her affair with a younger man
Their Eyes Were Watching God
Author: Zora Neale Hurston
Publisher: Harper Collins
ISBN: 0062001701
Pages: 304
Year: 2010-11-16
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When Janie Starks returns to her rural Florida home, she reminisces to her best friend, Pheoby, about her marriages and her relationship with a younger man. Reissue. 25,000 first printing.
Their Eyes Were Watching God
Author: Zora Neale Hurston
Publisher: Harper Collins
ISBN: 0061758124
Pages: 264
Year: 2009-03-17
View: 373
Read: 552
A PBS Great American Read Top 100 Pick “A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don’t know how to live properly.” —Zadie Smith One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.
Zora Neale Hurston's Their Eyes Were Watching God
Author: Cheryl A. Wall
Publisher: Oxford University Press on Demand
ISBN: 0195121732
Pages: 191
Year: 2000
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The rediscovery of Zora Neale Hurston's Their Eyes Were Watching God, first published in 1937 but subsequently out-of-print for decades, marks one of the most dramatic chapters in African-American literature and Women's Studies. Its popularity owes much to the lyricism of the prose, the pitch-perfect rendition of black vernacular English, and the memorable characters--most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century, this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues of language and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.
New Essays on Their Eyes Were Watching God
Author: Michael Awkward
Publisher: Cambridge University Press
ISBN: 0521387752
Pages: 129
Year: 1990
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An analysis of the literary values of Hurston's novel, as well as its reception--from largely dismissive reviews in 1937, through a revival of interest in the 1960s and its recent establishment as a major American novel.
Understanding Zora Neale Hurston's Their Eyes Were Watching God
Author: Neal A. Lester
Publisher: Greenwood Publishing Group
ISBN: 0313302103
Pages: 176
Year: 1999-01-01
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A rich sourcebook of materials on African-American folk culture, history, and society that illuminates the novel.
Zora Neale Hurston's Their Eyes Were Watching God
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 0791097889
Pages: 224
Year: 2008-01-01
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Presents a collection of essays by leading academic critics on the structure, characters, and themes of the novel, an early classic work on the lives of African American women written in the 1930s.
Zora Neale Hurston, Haiti, and Their Eyes Were Watching God
Author: La Vinia Delois Jennings
Publisher: Northwestern University Press
ISBN: 0810166585
Pages: 346
Year: 2013-08-31
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Zora Neale Hurston wrote her most famous novel, Their Eyes Were Watching God, while in Haiti on a trip funded by a Guggenheim fellowship to research the region’s transatlantic folk and religious culture; this work grounded what would become her ethnography Tell My Horse: Voodoo and Life in Haiti and Jamaica. The essays in Zora Neale Hurston, Haiti, and “Their Eyes Were Watching God” persuasively demonstrate that Hurston’s study of Haitian Voudoun informed the characterization, plotting, symbolism, and theme of her novel. Much in the way that Voudoun and its North American derivative Voodoo are syncretic religions, Hurston’s fiction enacts a syncretic, performative practice of reference, freely drawing upon Greco-Roman, Judeo-Christian, and Haitian Voudoun mythologies for its political, aesthetic, and philosophical underpinnings. Zora Neale Hurston, Haiti, and “Their Eyes Were Watching God” connects Hurston’s work more firmly to the cultural and religious flows of the African diaspora and to the literary practice by twentieth-century American writers of subscripting in their fictional texts symbols and beliefs drawn from West and Central African religions.
CliffsNotes on Hurston's Their Eyes Were Watching God
Author: Megan E. Ash
Publisher: Houghton Mifflin Harcourt
ISBN: 054418419X
Pages: 112
Year: 2011-05-18
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The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. In CliffsNotes on Their Eyes Were Watching God, you discover the work of one of the 20th century's first African-American female authors – Zora Neale Hurston. In the novel, Janie Crawford returns to her hometown in Florida and relates to her friend Pheoby the tragic story of her 40-year search for love and respect. Chapter summaries and commentaries take you through Janie's journey, and critical essays give you insight into the novel's themes and structure, as well as Hurston's use of figurative language and dialect. Other features that help you study include Character analyses of the main characters A character map that graphically illustrates the relationships among the characters A section on the life and background of Zora Neale Hurston A review section that tests your knowledge A Resource Center full of books, articles, films, and Internet sites Classic literature or modern modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.
A Reader’s Guide to Zora Neale Hurston’s Their Eyes Were Watching God
Author: Laura Baskes Litwin
Publisher: Enslow Publishing, LLC
ISBN: 0766031640
Pages: 128
Year: 2010-01-01
View: 922
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"An introduction to Zora Neale Hurston's novel Their eyes were watching God for high school students, which includes biographical background on the author, explanations of various literary devices and techniques, and literary criticism for the novice reader"--Provided by publisher.
Approaches to Teaching Hurston's Their Eyes Were Watching God and Other Works
Author: John Lowe
Publisher: Modern Language Assn of Amer
ISBN: 1603290443
Pages: 207
Year: 2009
View: 190
Read: 185
Zora Neale Hurston emerged as a celebrated writer of the Harlem Renaissance, fell into obscurity toward the end of her life, yet is now recognized as a great American author. Her novel Their Eyes Were Watching God is popular among general readers and is widely taught in universities, colleges, and secondary schools. A key text of African American and women's literature, it has also been studied by scholars interested in the 1930s, small-town life, modernism, folklore, and regionalism, and it has been viewed through the lenses of dialect theory, critical race theory, and transnational and diasporan studies. Considering the ubiquity of Hurston's work in the nation's classrooms, there have been surprisingly few book-length studies of it. This volume helps instructors situate Hurston's work against the various cultures that engendered it and understand her success as short story writer, playwright, novelist, autobiographer, folklorist, and anthropologist. Part 1 outlines Hurston's publication history and the reemergence of the author on the literary scene and into public consciousness. Part 2 first concentrates on various approaches to teaching Their Eyes, looking at Hurston's radical politics and use of folk culture and dialect; contemporary reviews of the novel, including contrary remarks by Richard Wright; Janie's search for identity in Hurston's all-black hometown, Eatonville; and the central role of humor in the novel. The essays in part 2 then take up Hurston's other, rarely taught novels, Jonah's Gourd Vine,Moses, Man of the Mountain, and Seraph on the Suwanee. Also examined here are Hurston's anthropological works, chief among them Mules and Men, a staple for many years on American folklore syllabi, and Tell My Horse, newly reconsidered in Caribbean and postcolonial studies.
,Their Eyes Were Watching God - Analysis of the Main Conflicts and Some Metaphorical Images of the Novel
Author: Andreas Schwarz
Publisher: GRIN Verlag
ISBN: 3656109168
Pages: 40
Year: 2013-09
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Studienarbeit aus dem Jahr 2005 im Fachbereich Amerikanistik - Literatur, Freie Universitat Berlin, Sprache: Deutsch, Abstract: Their Eyes Were Watching God is the story of a womans life. Protagonist Janie recapitulates her way from youth to her forties and shows the growing-up of a woman in the search for love. On the sideways Zora Neale Hurston points out the life of African-American people and their problems on the turn of the twentieth century until the 1930s. The objective of this paper is to point out the main conflicts and metaphorical images used in the book. As the novel is to some extent a biography of a womans way to love the first to mention is the eternal conflict between men and women. Like a painter Hurston draws the traditional roles of the sexes and the contradictions of her time - a time of feminine emancipation in all aspects. Emancipation also plays a role in the obvious generation conflict personated in Nanny, Janies grandmother. Somehow incidental, but flashing now and then, and sharp in her observations Hurston works up the racial issue of black and white living together in the American society around 60 years after slavery has officially ended. These are the more general conflicts of the book, while within the story opens the conflict within the black community. A subtle comparison of the life in Eatonville and the Everglades - inseparable of course from the totally differing feelings of Janie in both places. In the course of the novel Hurston uses strong, picturesque metaphorical language to describe the inner world of Janies thoughts and feelings. This paper can only give a few examples for these images. The tree image stands for her love life and sexuality - first in bloom when she becomes a woman. The mule stands as a symbol for the submission of women through men."
I Love Myself when I Am Laughing ... and Then Again when I Am Looking Mean and Impressive
Author: Zora Neale Hurston
Publisher: Feminist Press at CUNY
ISBN: 0912670665
Pages: 313
Year: 1979
View: 1227
Read: 802
Anthology of essays, folklore and fiction by a leading figure in the Harlem Renaissance
Zora Neale Hurston and Their Eyes Were Watching God
Author: Christina Gieseler
Publisher: GRIN Verlag
ISBN: 3640600002
Pages: 36
Year: 2010-04
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Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, Hawai'i Pacific University, course: 20th Century Women Writers of Color, language: English, comment: 31 Seiten mit doppeltem Zeilenabstand., abstract: Nora Zeale Hurston's novel "Their Eyes Were Watching God" can be considered "one of the sexiest, most 'healthily' rendered heterosexual love stories in our literature" (Walker, "Zora Neale Hurston" 88). This paper provides information about the outer contexts of the novel, as well as inductive analyses of the novel. The first part of the paper (Ch. 2-5) reveals information about the author and the historical and literary context of the time in which Hurston's novel was published. The second part of the paper (Ch. 6-7) starts off with an analysis of the plot and characters of Their Eyes Were Watching God, and then focuses on the theme of Otherness as it occurs in Huston's novel. The examinations of the concept of "Otherness," alongside with other terms such as "Dichotomization" and "Stigma," will be based on the concepts that Rosenblum and Travis describe in their work The Meaning of Difference: American Constructions of Race, Sex and Gender, Social Class and Sexual Orientation.
Barracoon
Author: Zora Neale Hurston
Publisher: HarperCollins
ISBN: 006274822X
Pages: 208
Year: 2018-05-08
View: 1090
Read: 997
New York Times Bestseller “A profound impact on Hurston’s literary legacy.”—New York Times “One of the greatest writers of our time.”—Toni Morrison “Zora Neale Hurston’s genius has once again produced a Maestrapiece.”—Alice Walker A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade—abducted from Africa on the last "Black Cargo" ship to arrive in the United States. In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.

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