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The Shoah on Screen
Author: Anne-Marie Baron
Publisher: Council of Europe
ISBN: 9287159602
Pages: 127
Year: 2006-01-01
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This publication considers how cinema, as a major modern art form, has covered topics relating to the Holocaust in documentaries and fiction, historical reconstructions and more symbolic films, focusing on the question of realism in ethical and artistic terms. It explores a range of issues, including whether cinema is an appropriate method for informing people about the Holocaust compared to other media such as CD-ROMs, video or archive collections; whether it is possible to inform and appeal to the emotions without being explicit; and how the medium can nurture greater sensitivity among increasingly younger audiences which have been inured by the many images of violence conveyed in the media. Films discussed include Schindler's List, Life is Beautiful, The Pianist, Sophie's Choice, Shoah, Au revoir les enfants, The Great Dictator and To Be or Not to Be.
Visualizing the Holocaust
Author: David Bathrick, Brad Prager, Michael David Richardson
Publisher: Camden House
ISBN: 1571133836
Pages: 336
Year: 2008
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Collection of essays exploring the controversies surrounding images of the Holocaust.
Identity Politics on the Israeli Screen
Author: Yosefa Loshitzky
Publisher: University of Texas Press
ISBN: 0292778201
Pages: 246
Year: 2010-01-01
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The struggle to forge a collective national identity at the expense of competing plural identities has preoccupied Israeli society since the founding of the state of Israel. In this book, Yosefa Loshitzky explores how major Israeli films of the 1980s and 1990s have contributed significantly to the process of identity formation by reflecting, projecting, and constructing debates around Israeli national identity. Loshitzky focuses on three major foundational sites of the struggle over Israeli identity: the Holocaust, the question of the Orient, and the so-called (in an ironic historical twist of the "Jewish question") Palestinian question. The films she discusses raise fundamental questions about the identity of Jewish Holocaust survivors and their children (the "second generation"), Jewish immigrants from Muslim countries or Mizrahim (particularly the second generation of Israeli Mizrahim), and Palestinians. Recognizing that victimhood marks all the identities represented in the films under discussion, Loshitzky does not treat each identity group as a separate and coherent entity, but rather attempts to see the conflation, interplay, and conflict among them.
The Off-Screen
Author: Eyal Peretz
Publisher: Stanford University Press
ISBN: 1503601617
Pages: 272
Year: 2017-03-21
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From the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this frame. The frame decontextualizes, cutting everything that is within it from the continuity of the world and creating a realm we understand as the realm of fiction. The modern theatrical stage, framed paintings, the novel, the cinematic screen—all present us with such framed-off zones. Naturally, the frame creates a separation between inside and out. But, as this book argues, what is outside the frame, what is offstage, or off screen, remains particularly mysterious. It constitutes the primary enigma of the work of art in the modern age. It is to the historical and conceptual significance of this "off" that this book is dedicated. By focusing on what is outside the frame of a work of art, it offers a comprehensive theory of film, a concise history of American cinema from D.W. Griffith to Quentin Tarantino, and a reflection on the place and significance of film within the arts of modernity in general.
Visual Culture and the Holocaust
Author: Barbie Zelizer
Publisher: A&C Black
ISBN: 0485300974
Pages: 376
Year: 2001-01-01
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A book that looks at both the traditional and the unconventional ways in which the holocaust has been visually represented. The purpose of this volume is to enhance our understanding of the visual representation of the Holocaust - in films, television, photographs, art and museum installations and cultural artifacts - and to examine the ways in which these have shaped our consciousness. The areas covered include the Eichman Trial as covered on American television, the impact of Schindler's List, the Jewish Museum in Berlin, the Isreali Heritage Museums, Women and Holocaust Photography, Internet Holocaust sites and tattoos and shrunken heads, the bodies of the dead and of the survivors.>
The Couch and the Silver Screen
Author: Andrea Sabbadini
Publisher: Routledge
ISBN: 113544451X
Pages: 280
Year: 2005-07-05
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The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema. The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and historical context for the current state of psychoanalytic studies of films. The book is organised into four clear sections - Set and Stage, Working Through Trauma, Horror Perspectives and Documenting Internal Worlds - which form the basis for engaging chapters including: easily readable and jargon-free film reviews. essays on specific subjects such as perspectives on the horror film genre and adolescent development. transcripts of live debates among film directors including Bernardo Bertolucci, actors, critics and psychoanalysts discussing films. The cultural richness of the material presented, combined with the originality of multidisciplinary dialogues on European cinema, makes this book appealing not only to film buffs, but also to professionals, academics and students interested in the application of psychoanalytic ideas to the arts.
Author: Steven Spielberg, The Shoah Foundation
Publisher: Harper Collins
ISBN: 006228519X
Pages: 352
Year: 2014-04-08
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This illustrated, large-format book, Testimony: The Legacy of Schindler’s List and the USC Shoah Foundation—A 20th Anniversary Commemoration combines, for the first time, the behind-the-scenes story of the making of Schindler’s List with the history of the remarkable organization inspired by that landmark film. Steven Spielberg’s encounters with Holocaust survivors who visited the set and personally told him their stories set him on a quest to collect and preserve survivor testimony for generations to come. In 1994, he established the Shoah Foundation, and in the following four years nearly 52,000 eyewitness interviews were video recorded in 56 countries and 32 languages. This commemorative book relates how the foundation accomplished this feat through a worldwide network of dedicated people, pioneering interview methods, and state-of-the art technologies. A special 140-page section tells the riveting story of the film in photos, script excerpts, and the words of the cast and crew, including Liam Neeson, Ben Kingsley, and Spielberg. Drawing from the Universal Pictures archives and exclusive interviews, here are details on Spielberg’s struggle to bring Oskar Schindler’s story from novel to script to screen, the casting, cinematography, and especially what happened during the difficult shoot in Poland in 1993—on locations where actual events of the Holocaust occurred. Partnered with the University of Southern California since 2006, the USC Shoah Foundation has broadened its mission and now collects and preserves testimonies from other genocides, including those in Armenia, Cambodia, and Rwanda, while expanding its educational outreach, especially to young people. Its Visual History Archive—digitized, fully searchable, and hyperlinked to the minute—has become the largest digital collection of its kind in the world. As Spielberg writes in his introduction, “I believe the work of the USC Shoah Foundation is the most important legacy of Schindler’s List.”
The Shoah in Ukraine
Author: Ray Brandon, Wendy Lower
Publisher: Indiana University Press
ISBN: 0253001595
Pages: 392
Year: 2008-05-28
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On the eve of the Nazi invasion of the USSR in 1941, Ukraine was home to the largest Jewish community in Europe. Between 1941 and 1944, some 1.4 million Jews were killed there, and one of the most important centers of Jewish life was destroyed. Yet, little is known about this chapter of Holocaust history. Drawing on archival sources from the former Soviet Union and bringing together researchers from Ukraine, Germany, Great Britain, the Netherlands, and the United States, The Shoah in Ukraine sheds light on the critical themes of perpetration, collaboration, Jewish-Ukrainian relations, testimony, rescue, and Holocaust remembrance in Ukraine. Contributors are Andrej Angrick, Omer Bartov, Karel C. Berkhoff, Ray Brandon, Martin Dean, Dennis Deletant, Frank Golczewski, Alexander Kruglov, Wendy Lower, Dieter Pohl, and Timothy Snyder.
The Holocaust in American Life
Author: Peter Novick
Publisher: Houghton Mifflin Harcourt
ISBN: 0547349610
Pages: 384
Year: 2000-09-20
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Prize-winning historian Peter Novick illuminates the reasons Americans ignored the Holocaust for so long -- how dwelling on German crimes interfered with Cold War mobilization; how American Jews, not wanting to be thought of as victims, avoided the subject. He explores in absorbing detail the decisions that later moved the Holocaust to the center of American life: Jewish leaders invoking its memory to muster support for Israel and to come out on top in a sordid competition over what group had suffered most; politicians using it to score points with Jewish voters. With insight and sensitivity, Novick raises searching questions about these developments. Have American Jews, by making the Holocaust the emblematic Jewish experience, given Hitler a posthumous victory, tacitly endorsing his definition of Jews as despised pariahs? Does the Holocaust really teach useful lessons and sensitize us to atrocities, or, by making the Holocaust the measure, does it make lesser crimes seem "not so bad"? What are we to make of the fact that while Americans spend hundreds of millions of dollars for museums recording a European crime, there is no museum of American slavery?
American exceptionalism and the Shoah
Author: David L. Worthington, Indiana University, Bloomington
Pages: 472
Year: 2007
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This dissertation analyzes the rhetoric of the United States Holocaust Memorial Museum as a site that constructs, articulates, and advances an ideology of American exceptionalism. The critical thrust of the project is to demonstrate how the museum produces a narrow set of terministic screens for understanding American connections to the European holocaust that make it difficult to productively engage problematic instances of U.S. history such as slavery and the genocide of the native Americans. To this end, the study focuses on public debates surrounding the founding and placement of the museum, the narrative of the museum's Permanent Exhibit, the physical exhibits that shape American exceptionalism, and the ways in which visitors respond to the museum story in comment books. The argument unfolds in 5 stages. The first stage examines the ways in which public debate during the museum's planning stages took up the issue of the propriety of a "Holocaust" museum in the U.S. and then addressed where the museum would be located and what kind of narrative would be consistent with placing the museum in close proximity to the National Mall. Stage two explores the museum's insistence on a strictly defined and overly simplistic narrative that marks the participants in the Shoah as victims, perpetrators, or liberators. Stage three focuses on the narrative of the museum's Permanent Exhibit, where the museum interpellates visitors as "witnesses" without providing a clear sense of what the act of witnessing entails. In the fourth stage "citizenship" is made passive by exhibits that evoke a sense of tragedy and atrocity that exists "over there" (in Europe) and whose victims are "other" and outside the bounds and protection of American style liberal democracy. Stage four shifts focus from the narrative as articulated by museum curators and towards the way visitors respond to the museum in comment books, and in particular on the most common response by museum visitors that they feel "sad." "Sadness," I argue, is a problematic public emotion that represses civic action. The project concludes in stage five by discussing ways in which exhibits might be added that would widen our terministic understanding of the past so as to allow for a more productive consideration of the ways in which and the topos of "atrocity" implicates the politics of genocide.
A New Shoah
Author: Giulio Meotti
ISBN: 145961741X
Pages: 568
Year: 2011-04-21
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Every day in Israel, memorials are held for people killed simply because they were Jews - condemned by the fury of Islamic fundamentalism. A New Shoah is the first book devoted to telling the story of these Israeli terror victims. It centers on a ...
Cinema and the Shoah
Publisher: SUNY Press
ISBN: 1438430280
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The Brain is the Screen
Author: Gregory Flaxman
Publisher: U of Minnesota Press
ISBN: 0816634467
Pages: 395
Year: 2000
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In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing -- a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.
The Cinema of France
Author: Phil Powrie
Publisher: Wallflower Press
ISBN: 1904764460
Pages: 283
Year: 2006
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An in-depth look at some of the best and most influential French films of all time, The Cinema of France contains 24 essays, each on an individual film. The book features works from the silent period and poetic realism, through the stylistic developments of the New Wave, and up to more contemporary challenging films, from directors such as Abel Gance, Jean Renoir, Marcel Carné, François Truffaut, Jean-Luc Godard, Alain Resnais, Agnès Varda and Luc Besson. Set in chronological order, The Cinema of France provides an illuminating history of this essential national cinema and includes in-depth studies of films such as Un Chien Andalou (1929), Les Vacances de Monsieur Hulot (1953), Le Samouraï (1967), Shoah (1985), Jean de Florette (1986), Les Visiteurs (1993) and La Haine (1995).
Selling the Holocaust
Author: Tim Cole
Publisher: Routledge
ISBN: 1351549154
Pages: 234
Year: 2017-09-29
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Cole shows us an "Auschwitz-land" where tourists have become the "ultimate ruberneckers" passing by and gazing at someone else's tragedy. He shows us a US Holocaust Museum that provides visitors with a "virtual Holocaust" experience.

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