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The Beethoven Compendium
Author: Barry Cooper
Publisher: Thames & Hudson
ISBN: 0500278717
Pages: 351
Year: 1996
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Written by four leading Beethoven scholars, this is an invaluable guide to his character, his social life, his religious beliefs, his politics, and above all his music.
Ludwig van Beethoven
Publisher: PediaPress
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The Creation of Beethoven's 35 Piano Sonatas
Author: Barry Cooper
Publisher: Routledge
ISBN: 1317037081
Pages: 240
Year: 2017-03-27
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Beethoven’s piano sonatas are a cornerstone of the piano repertoire and favourites of both the concert hall and recording studio. The sonatas have been the subject of much scholarship, but no single study gives an adequate account of the processes by which these sonatas were composed and published. With source materials such as sketches and correspondence increasingly available, the time is ripe for a close study of the history of these works. Barry Cooper, who in 2007 produced a new edition of all 35 sonatas, including three that are often overlooked, examines each sonata in turn, addressing questions such as: Why were they written? Why did they turn out as they did? How did they come into being and how did they reach their final form? Drawing on the composer’s sketches, autograph scores and early printed editions, as well as contextual material such as correspondence, Cooper explores the links between the notes and symbols found in the musical texts of the sonatas, and the environment that brought them about. The result is a biography not of the composer, but of the works themselves.
Beethoven's Chamber Music in Context
Author: Angus Watson
Publisher: Boydell Press
ISBN: 1843837161
Pages: 306
Year: 2012
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This comprehensive survey shows how the larger scale works relate to Beethoven's chamber music and how the composer evolved an increasing freedom of form.
Beethoven: The Music and the Life
Author: Lewis Lockwood
Publisher: W. W. Norton & Company
ISBN: 0393347559
Pages: 624
Year: 2005-01-17
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An authoritative work offering a fresh look at Beethoven’s life, career, and milieu. “Magisterial” —New York Review of Books. This brilliant portrayal weaves Beethoven's musical and biographical stories into their historical and artistic contexts. Lewis Lockwood sketches the turbulent personal, historical, political, and cultural frameworks in which Beethoven worked and examines their effects on his music. "The result is that rarest of achievements, a profoundly humane work of scholarship that will—or at least should—appeal to specialists and generalists in equal measure" (Terry Teachout, Commentary). Finalist for the Pulitzer Prize. "Lewis Lockwood has written a biography of Beethoven in which the hours that Beethoven spent writing music—that is, his methods of working, his interest in contemporary and past composers, the development of his musical intentions and ideals, his inner musical life, in short—have been properly integrated with the external events of his career. The book is invaluable." —Charles Rosen "Lockwood writes with poetry and clarity—a rare combination. I especially enjoyed the connection that he makes between the works of Beethoven and the social and political context of their creation—we feel closer to Beethoven the man without losing our wonder at his genius." —Emanuel Ax "The magnum opus of an illustrious Beethoven scholar. From now on, we will all turn to Lockwood's Beethoven: The Music and the Life for insight and instruction." —Maynard Solomon "This is truly the Beethoven biography for the intelligent reader. Lewis Lockwood speaks in his preface of writing on Beethoven's works at 'a highly accessible descriptive level.' But he goes beyond that. His discussion of the music, based on a deep knowledge of its context and the composition processes behind it, explains, elucidates, and is not afraid to evaluate; while the biographical chapters, clearly and unfussily written, and taking full account of the newest thinking on Beethoven, align closely with the musical discussion. The result is a deeply perceptive book that comes as close as can be to presenting the man and the music as a unity."—Stanley Sadie, editor, The New Grove Dictionary of Music and Musicians "Impressive for both its scholarship and its fresh insights, this landmark work—fully accessible to the interested amateur—immediately takes its place among the essential references on this composer and his music."—Bob Goldfarb, KUSC-FM 91.5 "Lockwood writes like an angel: lucid, enthusiastic, stirring and enlightening. Beethoven has found his ablest interpreter."—Jonathan Keates, The Spectator "There is no better survey of Beethoven's compositions for a wide audience."—Michael Kimmelman, The New York Times Book Review
A Compendium of Essays
Author: E. A. Bucchianeri
ISBN: 9899684422
Pages: 198
Year: 2010-08
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"A Compendium of Essays" is a unique collection presenting new and intriguing philosophical analysis on several renowned composers and their work from the Baroque period to contemporary times. E.A. Bucchianeri discusses familiar topics that include Purcell's opera "Dido and Aeneas," William Hogarth's painting "The Rake's Leve" featuring Handel, a selection of Beethoven's symphonies, Liszt's "Faust Symphony" and the conception of the symphonic poem genre, Orientalism and Debussy's progressive style, and Andrew Lloyd Webber's musical "The Phantom of the Opera" as an example of the 'Musical Theatre Renaissance'. In Many instances, the author offers different theories that are original, informative and will appeal to all music lovers, professionals and amateurs, or those who wish to explore music philosophy in general. Admirers of Hogarth and his artwork will also find "A Compendium of Essays" interesting due to a novel interpretation of "The Rake's Leve" from a musical perspective. Illustration and musical examples are included in several of the essays, enriching the author's analytical theories and philosophical observations. "A Compendium of Essays" will prove an additional treasure to any library. Features the following essays: "Purcell's Dido and Aeneas: A Musical Exemplum for Young Gentlewomen" "Hogarth, Handel, and 'The Leve' from 'The Rakes Progress': A Satirical Portrait Worth a Thousand Words" "The Symphonies of Beethoven: Historical and Philosophical Reflections through Music" "Liszt, Goethe, the 'Faust Symphony', and the Symphonic Poem: 'The Word Must Become the Deed' " "Orientalism, Music and Debussy: West Meets East" "Andrew Lloyd Webber's 'Phantom of the Opera': An Example of the 'Musical Theatre Renaissance' " ..". In the 'Symphonies of Beethoven: Historical and Philosophical Reflections Through Music', Bucchianeri posits that Beethoven's symphonies reflect the composer's perception of his own world and his attitudes toward society and culture. That this perception changed over time is revealed by the stylistic progression of the works. Beethoven's earliest works in the genre contain the element of the 'sublime', an aesthetic concept earmarked by grand concepts, powerful emotions, imagery, dignity, and elevation. Drawing on the philosophy of Edmund Burke, the author describes the sublime as 'large and unfathomable, rough and rugged, terrifying and painful, without actually experiencing this intangible state.' The opening movements of the first two symphonies show elements of the noble concept of the 'sublime'. In the Third and and Fifth Symphonies Beethoven expanded on the sublime style to epic proportions; in the Sixth he integrated the concept that 'all things sublime are both ancient and new, as in nature.' By the Ninth, Beethoven turned to the concept of the sublime as unfathomable as the heavens. Here the author offers an interpretation of the Ninth in relation to Beethoven's character and philosophies. The book includes a select bibliography and index for all the essays." - Patricia Stroh, the "Beethoven Journal," San Jose University
Poetry and the Romantic Musical Aesthetic
Author: James H. Donelan
Publisher: Cambridge University Press
ISBN: 1139471147
Year: 2008-03-24
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James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures – all born in 1770 – developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831.
Beethoven and the creative process
Author: Barry Cooper
Publisher: Oxford University Press, USA
Pages: 346
Year: 1992
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Beethoven's habit of composing by making many preliminary drafts and sketches was sufficiently unusual to attract attention even during his lifetime, and his creative process has attracted a good deal more attention since. This book incorporates the findings of recent studies on Beethoven's creative process and examines his underlying creative motivation, the interrelationships between his various works, and how his output was determined by external factors and his personal life. Including an introduction to his compositional methods and a detailed study of particular compositional problems of six different works, the book provides insight into the creative life of one of the greatest figures in musical history.
The Classical Guitar Compendium
Author: Bridget Mermikides
Publisher: Hal Leonard
ISBN: 1480364215
Pages: 160
Year: 2013-10-01
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(Guitar Solo). Bring the world of classical music to guitarists of all levels! This collection features classical guitar technical studies from Sor, Tarrega, Guiliani, Carcassi, and Aguado, as well as presenting fresh guitar arrangements of well-known classical masterpieces. Repertoire compositions are included from the likes of Bach, Beethoven, Brahms, Chopin, Debussy, Faure, Massenet, Mozart, Pachelbel, Ravel, Schumann, Tchaikovsky, Wagner and more. Many audio examples are also included with guitar solo performances by the author.
The Life of Beethoven
Author: David Wyn Jones
Publisher: Cambridge University Press
ISBN: 0521568781
Pages: 204
Year: 1998-11-19
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This account of Beethoven reveals the life and times of a creative musician in Bonn and Vienna in the late eighteenth and early nineteenth centuries. While paying due regard to the image of Beethoven as one of the most single-minded composers in the history of music, this biography places his work in the context of the musical life of the period. Through an understanding of the changing nature of musical patronage, the private and public concert, the impact of the Napoleonic Wars on culture and society--in addition to the effects of Beethoven's increasing deafness and his difficult relationships with both patrons and the musical institutions of the day--a varied and dynamic picture of the life and career of the musical genius emerges.
Beethoven Forum
Author: Mark Evan Bonds, Elaine Sisman
Publisher: U of Nebraska Press
ISBN: 0803212925
Pages: 172
Year: 1999-01-01
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The essays in this volume grew out of an international Beethoven conference held in honor of Lewis Lockwood at Harvard University in 1996. Michelle Fillion?s opening essay explores the Mass in C and its turn away from the ?heroic? style of the ?middle-period? works. In ?Beethoven and the Aesthetic State,? Karol Berger reflects on the manner in which the composer?s music often shifts back and forth between a ?real? and an ?imagined? world. William Drabkin examines the role of the cello part in Beethoven's late quartets, particularly in regard to the elusive parameter of texture. Richard Kramer?s reading of the song Resignation (1818) opens new perspectives on the idea of a ?late? style in the composer?s output. ø In ?Beethoven's ?Expressive? Markings,? Leo Treitler demonstrates how seemingly straightforward directions to performers about tempo, mood, or dynamics raise fundamental questions about the relationship between music and language. Michael C. Tusa reviews more than a century of attempts to relate form and content in the last movement of the Ninth Symphony and offers a new interpretation on the idea of the choral finale as a kind of four-movement symphony in its own right. Maynard Solomon?s essay on the ?Diabelli? variations argues that the theme itself, although simple, is by no means trivial and indeed is ?perfectly suited to unpacking issues of firstness and lastness and their interchangeability.? William Drabkin concludes the volume with a review essay on Beethoven: Interpretationen seiner Werke, edited by Albrecht Riethm_ller, Carl Dahlhaus, and Alexander Ringer.
The Beethoven companion
Author: Thomas Scherman
Pages: 1230
Year: 1972
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Encyclopedia of Education and Human Development
Author: Stephen J. Farenga, Daniel Ness
Publisher: Routledge
ISBN: 1317471830
Pages: 1014
Year: 2015-07-17
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This comprehensive and exhaustive reference work on the subject of education from the primary grades through higher education combines educational theory with practice, making it a unique contribution to the educational reference market. Issues related to human development and learning are examined by individuals whose specializations are in diverse areas including education, psychology, sociology, philosophy, law, and medicine. The book focuses on important themes in education and human development. Authors consider each entry from the perspective of its social and political conditions as well as historical underpinnings. The book also explores the people whose contributions have played a seminal role in the shaping of educational ideas, institutions, and organizations, and includes entries on these institutions and organizations. This work integrates numerous theoretical frameworks with field based applications from many areas in educational research.
Author: Oscar George Theodore Sonneck
Publisher: Courier Corporation
ISBN: 0486217701
Pages: 231
Year: 1926
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This compilation contains the most interesting, evocative, and amusing sections of letters, diaries, memoirs, etc., describing Beethoven's accomplishments as well as his strange personality. Traits and characteristics of the great composer are described by his contemporaries, including musical giants Rossini, Weber, and Liszt, and poets Goethe and Grillparzer, as well as other acquaintances. 16 portraits of Beethoven are included.
Performing Beethoven
Author: Robin Stowell
Publisher: Cambridge University Press
ISBN: 0521416442
Pages: 246
Year: 1994-09-08
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The ten essays in this volume explore different aspects of the performance of instrumental works by Beethoven. Each essay discusses performance issues from Beethoven's time to the present, whether the objective be to realise a performance in an historically appropriate manner, to elucidate the interpretation of Beethoven's music by conductors and performers, to clarify transcriptions by editors or to reconstruct the experience of the listener in various different periods. Four contributions focus on the piano music while another group concentrates on Beethoven's music for strings. These chapters are complemented by an examination of Beethoven's exploitation of the developing wind choir, an evaluation of early twentieth-century recordings as pointers to early nineteenth-century performance practice and an historical survey of rescorings in Beethoven's symphonies.