Music Books On Music And Sound Recordings Book PDF, EPUB Download & Read Online Free

Music, Books on Music, and Sound Recordings
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Year: 1987
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Perfecting Sound Forever
Author: Greg Milner
Publisher: Farrar, Straus and Giroux
ISBN: 1429957158
Pages: 432
Year: 2009-06-09
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In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented. Tracing the contours of this history, Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording. An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape. Japanese and Dutch researchers build a first-generation digital audio format and watch as their "compact disc" is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists. The music world becomes addicted to volume in the nineties and fights a self-defeating "loudness war" to get its fix. From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner's Perfecting Sound Forever pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or should it improve upon or somehow transcend the music it records? The answers he uncovers will change the very way we think about music.
A Basic Music Library
Author: Elizabeth A. Davis, Music Library Association
Publisher: American Library Association
ISBN: 0838934617
Pages: 665
Year: 1997
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Lists scores and recordings for music library collections
Alan Parsons' Art & Science of Sound Recording
Author: Julian Colbeck, Alan Parsons
Publisher: Hal Leonard Corporation
ISBN: 1480397237
Pages: 352
Year: 2014-09-01
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(Technical Reference). More than simply the book of the award-winning DVD set, Art & Science of Sound Recording, the Book takes legendary engineer, producer, and artist Alan Parsons' approaches to sound recording to the next level. In book form, Parsons has the space to include more technical background information, more detailed diagrams, plus a complete set of course notes on each of the 24 topics, from "The Brief History of Recording" to the now-classic "Dealing with Disasters." Written with the DVD's coproducer, musician, and author Julian Colbeck, ASSR, the Book offers readers a classic "big picture" view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. For all its heft and authority authored by a man trained at London's famed Abbey Road studios in the 1970s ASSR, the Book is also written in plain English and is packed with priceless anecdotes from Alan Parsons' own career working with the Beatles, Pink Floyd, and countless others. Not just informative, but also highly entertaining and inspirational, ASSR, the Book is the perfect platform on which to build expertise in the art and science of sound recording.
Temples of Sound
Author: Jim Cogan, William Clark
Publisher: Chronicle Books
ISBN: 0811833941
Pages: 224
Year: 2003-01
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Recounts the stories of the music world's most notable recording studios and of history-making records that were made at each, from the John Coltrane sessions in Rudy Van Gelder's living room to Frank Sinatra's recordings at Capital Records.
A manual of AACR2 examples for music and sound recordings of music
Author: Wesley C. Simonton, Nancy B. Olson, Phillip Mannie
Publisher: Lake Crystal, Minn., Soldier Creek Press
ISBN:
Pages: 79
Year: 1981
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Sound Recording
Author: David Morton
Publisher: JHU Press
ISBN: 0801883989
Pages: 215
Year: 2006-04-20
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Looks at the history of recorded music and technology of the industry from Thomas Edison's invention of the phonograph in 1876 to the MP3 players.
Music, Sound, and Technology in America
Author: Timothy D. Taylor, Mark Katz, Tony Grajeda
Publisher: Duke University Press
ISBN: 0822349469
Pages: 410
Year: 2012-06-19
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This reader collects primary documents on the phonograph, cinema, and radio before WWII to show how Americans slowly came to grips with the idea of recorded and mediated sound. Through readings from advertisements, newspaper and magazine articles, popular fiction, correspondence, and sheet music, one gains an understanding of how early-20th-century Americans changed from music makers into consumers.
Sound and Recording
Author: Francis Rumsey, Tim Mccormick
Publisher: Taylor & Francis
ISBN: 1136121730
Pages: 608
Year: 2012-09-10
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This best-selling book introduces you to the principles of sound, perception, audio technology and systems. Whilst offering vital reading for audio students and trainee engineers, this guide is ideal for anyone concerned with audio, sound and recording, beginners and professionals alike. This new edition is bang up to date, with a new chapter on sound quality, expanded information on sequecing, rewire and digital audio synchonisation, pitch correction and blue ray disk.
Lost Sounds
Author: Tim Brooks
Publisher: University of Illinois Press
ISBN: 0252090632
Pages: 656
Year: 2010-10-01
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Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces––both black and white––that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws. Lost Sounds includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
Performing Music in the Age of Recording
Author: Robert Philip
Publisher: Yale University Press
ISBN: 0300102461
Pages: 304
Year: 2004-04-10
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Listeners have enjoyed classical music recordings for more than a century, yet important issues about recorded performances have been little explored. What is the relationship between performance and recording? How are modern audiences affected by the trends set in motion by the recording era? What is the impact of recordings on the lives of musicians? In this wide-ranging book, Robert Philip extends the scope of his earlier pioneering book, Early Recordings and Musical Style: Changing Tastes in Instrumental Performance 1900-1950. Philip here considers the interaction between music-making and recording throughout the entire twentieth century. The author compares the lives of musicians and audiences in the years before recordings with those of today. He examines such diverse and sometimes contentious topics as changing attitudes toward freedom of expression, the authority of recordings made by or approved by composers, the globalization of performing styles, and the rise of the period instrument movement. Philip concludes with a thought-provoking discussion of the future of classical music performance.
Here, There and Everywhere
Author: Geoff Emerick
Publisher: Novo Século
ISBN: 8542801555
Pages: 480
Year: 2013-12-11
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“A experiência diária de trabalhar com o mais famoso grupo de rock do mundo.” — The Washington Post “O adolescente que moldou os Beatles” — CNN Geoff Emerick conta detalhes de como foi trabalhar com os famosos garotos de Liverpool durante o auge da banda. Desde o início, como assistente, até assumir a engenharia de som nas gravações dos álbuns Revolver, Sgt. Peppers e Abbey Road, Geoff nos mostra o processo criativo da banda em estúdio, detalhes das gravações de cada música e revelações sobre a personalidade e relacionamentos entre os integrantes, desde a implacável competição entre Lennon e McCartney à rivalidade e frustração que trouxe um amargo fim para a maior banda de rock que o mundo já conheceu.
Selling Sounds
Author: David Suisman
Publisher: Harvard University Press
ISBN: 0674054687
Pages: 368
Year: 2012-05-07
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From Tin Pan Alley to grand opera, player-pianos to phonograph records, David Suisman explores the rise of music as big business and the creation of a radically new musical culture. Provocative, original, and lucidly written, Selling Sounds reveals the commercial architecture of America’s musical life.
Sound of Music
Author: Stephen Gislason
Publisher: Environmed Research Inc
ISBN: 1894787412
Pages: 230
Year: 2018-06-01
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book by Stephen Gislason emerged from his Music Notes collected over many years. The topics cover a wide range of interests from the history of instruments, music theory, composing to the most current technologies involved in music composition and sound recording. A special chapter on the Musical Brain explains current knowledge in the brain processing of sound as it applies to language and music decoding. A chapter on the Music Business reviews the dramatic changes in music marketed and discusses some of the dilemmas and controversies facing musicians. Preface This book emerged from notes I have kept for several decades. I have spent much time studying music theory, electronics applied to sound reproduction and to performance skills. I decided to assemble my music notes so that any person interested in music could benefit from simple, clear explanations. Music descriptions often are too complicated and the use of terms can be inconsistent and confusing. As with other subjects I have tackled, I assumed that with a little extra effort more precise descriptions would be welcomed by readers seeking a practical understanding of music. The book begins with a consideration of what sound is and how animals use sounds to communicate. Music is not a human invention, but we do elaborate sound communication more than other animals in our production of both speech and musical performances. The discussion continues with noise, an important topic that is poorly understood. A well informed musician will refrain from making noise and understand Ambrose Bierce when he stated: Of all noise, music is the less offensive." I include acoustic and electronic instruments in my discussions of music creation. In my world, electronics dominate every aspect of work and play and most music I create and listen to was created, stored and distributed electronically. The art and science of recording is an important study for all 21st century musicians. Increased sophistication about the nature of sound, the art of combining musical sounds, and the effect on the listener's brain are all required for music to advance beyond noise toward a more effective means of human communication. Stephen Gislason 2016
America on Record
Author: Andre Millard
Publisher: Cambridge University Press
ISBN: 0521835151
Pages: 457
Year: 2005-12-05
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With Thomas Edison's invention of the phonograph, the beautiful music that was the preserve of the wealthy became a mass-produced consumer good, cheap enough to be available to all. In 1877 Edison dreamed that one day there would be a talking machine in every home. America on Record: A History of Recorded Sound, first published in 2006, provides a history of sound recording from the first thin sheet of tinfoil that was manipulated into retaining sound to the home recordings of rappers in the 1980s and the high-tech studios of the 1990s. This book examines the important technical developments of acoustic, electric, and digital sound reproduction while outlining the cultural impact of recorded music and movies. This second edition updates the story, describing the digital revolution of sound recording with the rise of computers, Napster, DVD, MP3, and iPod.

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