Les Pecheurs De Perles In Full Score Book PDF, EPUB Download & Read Online Free

Les Pecheurs de Perles in Full Score
Author: Georges Bizet
Publisher: Courier Corporation
ISBN: 0486493822
Pages: 320
Year: 2013-12-18
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The composer of Carmen made his first mark with this enchanting tale of friendship, love, and betrayal. The three-act opera has seen a resurgence of popularity and enjoys frequent performances worldwide.
Les Pêcheurs de Perles in Full Score
Author: Georges Bizet
Publisher: Courier Dover Publications
ISBN: 0486431134
Pages: 320
Year: 2004
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The composer of the world's most popular opera, Carmen (1875), Bizet first made his mark with this work. This tale of friendship, love, and betrayal has in recent years come to be performed more and more often in opera houses around the world, making an affordable copy of the full score essential for conductors.
Pearl Fishers
Author: Georges Bizet
Publisher: Warner Bros Publications
ISBN: 076924596X
Pages: 204
Year: 1985-03-01
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"The Pearl Fishers" is an opera in three acts by the French composer Georges Bizet. It was first performed in September of 1863 at the Th??tre Lyrique in Paris. Set in ancient times on the island of Ceylon, the opera is a story of how two men's vow of eternal friendship is threatened by their love for the same woman, whose own dilemma is the conflict between secular love and her sacred oath as a priestess. This is the vocal score of the work, with French and English texts, and with piano accompaniment. 202 pages, 7 by 8 ? inches.
French Opera Libretti: Werther ; Carmen ; Samson et Dalila ; Lakḿe ; Pelléas et Mélisande ; Chérubin ; Don Carlos ; Les contes d'Hoffmann
Author: Nico Castel
Publisher: Leyerle Publications
ISBN: 1878617273
Pages: 700
Year: 1999-04-01
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Arias for Soprano, Volume 2
Author: Robert L. Larsen
Publisher: Hal Leonard Corporation
ISBN: 1480319961
Pages: 256
Year: 2004-07-01
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(Vocal Collection). The G. Schirmer Opera Anthology series revolutionized opera aria study after its release in 1991. There are so many wonderful soprano arias that a second volume was warranted. The music is predominantly for lyric soprano. As in the original volumes, these are new, clean editions, with historical and plot information about each of the 32 arias included.
Printed opera scores in American libraries
Author: Charles H. Parsons
Publisher: Edwin Mellen Pr
ISBN: 0889464189
Pages: 1646
Year: 1998
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A multi-volume set giving detailed information on every aspect of opera - over 100,000 entries. Improves on Steiger's Opernlexikon by including two additional data-categories for each work (language of text and literary sources) and by covering composers who have appeared since the end-date of Steiger's work (1934).
Music, Text and Translation
Author: Helen Julia Minors
Publisher: A&C Black
ISBN: 1441173080
Pages: 224
Year: 2013-05-23
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Explores the roles that translation plays in a musical context, questioning the transference of sense between music and text.
The Keys to French Opera in the Nineteenth Century
Author: Hervé Lacombe
Publisher: Univ of California Press
ISBN: 0520217195
Pages: 415
Year: 2001
View: 433
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A lively history of French opera in its cultural and historical context by one of France's leading musicologists.
Author: D. Kern Holoman
Publisher: Harvard University Press
ISBN: 0674067789
Pages: 687
Year: 1989
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A biography of the nineteenth-century composer, discussing his personal and professional life as well as analyzing his compositions and contributions to music
Author: Hugh Macdonald
Publisher: Oxford University Press
ISBN: 0199384738
Pages: 288
Year: 2014-07-23
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Today Georges Bizet is most immediately recognized as the composer of the acclaimed opera Carmen. One of the most frequently performed operas for over a century, Carmen explores concepts such as the femme fatale and murderous jealousy with vivacity, color, and a wealth of melody. Yet it is only one act in Bizet's story. In Bizet, renowned musicologist Hugh Macdonald goes beyond the composer's most famous opera to take an in-depth look at his entire life and oeuvre. In so doing, Macdonald identifies a number of previously unknown pieces by Bizet, assembling the first comprehensive catalogue of the composer's work. Incorporating these little-known pieces with a thorough reading of primary sources, Macdonald considers the latest in Bizet scholarship to create a complete biography of the composer. Revealing the true extent of Bizet's work as arranger and transcriber, Macdonald sheds light on the composer's complex relationships with his contemporaries, and traces the strange misrepresentation of Bizet's work by French publishers and opera houses in the 1880s, when Carmen rose to worldwide popularity ten years after the composer's early death. The first biography of Bizet in the Master Musicians series in nearly four decades, Bizet will be essential reading for students and scholars of nineteenth-century opera, as well as for Carmen devotees and opera fans.
The Rest Is Noise
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Pages: 640
Year: 2007-10-16
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The scandal over modern music has not died down. While paintings by Pablo Picasso and Jackson Pollock sell for a hundred million dollars or more, shocking musical works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. At the same time, the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Alex Ross, the brilliant music critic for The New Yorker, shines a bright light on this secret world, and shows how it has pervaded every corner of twentieth century life. The Rest Is Noise takes the reader inside the labyrinth of modern sound. It tells of maverick personalities who have resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with the purest beauty or battered them with the purest noise, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art. Ross, in this sweeping and dramatic narrative, takes us from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. In the tradition of Simon Schama's The Embarrassment of Riches and Louis Menand's The Metaphysical Club, the end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.
Benjamin Britten
Author: Neil Powell
Publisher: Henry Holt and Company
ISBN: 0805097759
Pages: 528
Year: 2013-08-06
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This spellbinding centenary biography by Neil Powell looks at the music, the life, and the legacy of the greatest British composer of the twentieth century Benjamin Britten was born on November 22, 1913, in the East Suffolk town of Lowestoft. Displaying a passion and proficiency for music at an early age, to the delight of his mother, Edith, a talented amateur musician herself, he began composing music when he was only five years old. After studying at the Royal College of Music, Britten went on to write documentary scores for the General Post Office Film Unit, where he met and collaborated with the poet W. H. Auden. Of more lasting importance was Britten's introduction in 1937 to the tenor Peter Pears, who was to become the inspirational center of his emotional and musical life. Their partnership lasted nearly four decades, during a dangerous time when homosexuality was illegal in England. Conscientious objectors, Britten and Pears followed Auden to America before the war began in 1939. While there, they joined the extraordinary Brooklyn ménage of George Davis, Louis MacNeice, and Paul Bowles. Eventually intense homesickness, provoked in part by George Crabbe's poem "Peter Grimes," drove the pair home to East Anglia in 1942 and gave Britten the inspiration for his finest opera. Throughout his career, Britten did not want modern music to be just for "the cultured few" and instead always composed his music to be "listenable-to." The shared quotidian lives of Britten and Pears unfold in this intimate biography and the story of two men who created a truly remarkable legacy.
Fanfare for Ernest Newman
Author: Herbert Maurice Van Thal
Pages: 191
Year: 1955-01-01
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Records in Review
Year: 1979
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Library of Congress Catalog
Year: 1973
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A cumulative list of works represented by Library of Congress printed cards.

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