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Les inrockuptibles
Year: 2009
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Author: Isabelle Vanderschelden
Publisher: I.B.Tauris
ISBN: 0857730916
Pages: 128
Year: 2007-01-26
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Le Fabuleux destin d’Amélie Poulain was the surprise boxoffi ce success of 2001, with nine million spectators in France, and more than 30 million worldwide. The fi lm turned Audrey Tautou into an international star, in her iconic role as Amélie, a naïve French Parisian who devotes herself to mending the lives of the people around her. Shot on location in Paris, the fi lm combines poetic and magical realism with stylish cinematography, original use of colour, state-of-the-art special effects, and an evocative soundtrack; together these have produced a popular fi lm of universal appeal. Isabelle Vanderschelden examines the fi lm’s production within the French fi lm industry. She analyzes the issues of genre and narrative that it presents so well. She looks in depth at the fi lm’s key scenes, as well as at Jeunet’s distinctive visual style and cinematography and his use of digital technology. The national and international receptions of Amélie are explored to establish why the fi lm has caught the public imagination and whether it marks a renewal in the cultural diversity and distinctive identity of the French fi lm industry. This book will be essential reading for cinema lovers and students alike.
Post-beur Cinema: North African Emigre and Maghrebi-French Filmmaking in France since 2000
Author: Will Higbee
Publisher: Edinburgh University Press
ISBN: 0748678174
Pages: 288
Year: 2013-07-31
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Since the early 1980s, filmmakers of Maghrebi origin have made a key contribution to the representation of issues such as immigration, integration and national identity in French cinema. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African emigre filmmakers have occupied an increasingly prominent position in on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater prominence and move to the mainstream has not automatically meant that these films have lost any of the social or political relevance of Beur cinema of the 1980s or the banlieue film of the 1990s. Indeed in the 2000s these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society. Through a detailed study of this transformative decade for Maghrebi-French and North African emigre filmmaking in France, this book argues for the emergence of a Post-Beur cinema in the 2000s that is simultaneously global and local in its outlook. An absorbing introduction to this key development in contemporary French cinema, Post-Beur Cinema is essential reading for students and scholars in Film Studies, French Studies and Diaspora Studies.
Popular Music in France from Chanson to Techno
Author: Hugh Dauncey
Publisher: Routledge
ISBN: 1351553690
Pages: 294
Year: 2017-07-05
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In France during the 1960s and 1970s, popular music became a key component of socio-cultural modernisation as the music/record industry became increasingly important in both economic and cultural terms in response to demographic changes and the rise of the modern media. As France began questioning traditional ways of understanding politics and culture before and after May 1968, music as popular culture became an integral part of burgeoning media activity. Press, radio and television developed free from de Gaulle's state domination of information, and political activism shifted its concerns to the use of regional languages and regional cultures, including the safeguard of traditional popular music against the centralising tendencies of the Republican state. The cultural and political significance of French music was again revealed in the 1990s, as French-language music became a highly visible example of France's quest to maintain her cultural 'exceptionalism' in the face of the perceived globalising hegemony of English and US business and cultural imperialism. Laws were passed instituting minimum quotas of French-language music. The 1980s and 1990s witnessed developing issues raised by new technologies, as compact discs, the minitel telematics system, the internet and other innovations in radio and television broadcasting posed new challenges to musicians and the music industry. These trends and developments are the subject of this volume of essays by leading scholars across a range of disciplines including French studies, musicology, cultural and media studies and film studies. It constitutes the first attempt to provide a complete and up-to-date overview of the place of popular music in modern France and the reception of French popular music abroad.
Living Through Pop
Author: Andrew Blake
Publisher: Psychology Press
ISBN: 0415161991
Pages: 180
Year: 1999
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Living Through Pop explores pop's history and the ways in which it has been produced by musicians, broadcasters, critics and fans.
Michel Houellebecq
Author: Douglas Morrey
Publisher: Oxford University Press
ISBN: 1846318610
Pages: 212
Year: 2013
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Michel Houellebecq is one of the most successful and controversial contemporary French novelists. Translated worldwide, with three film adaptations of his works, he has also been at the center of a host of media scandals in France. In this book, Douglas Morrey examines Houellebecq's stark representation of humanity—a terminal state of decadence and decline ripe for replacement by a posthuman successor—looking at the global significance of his visions at the same time that he situates them in the contexts of French literature, culture, and society.
Les Inrockuptibles, N 59, du 29 mai au 4 juin 1996
Pages: 58
Year: 1996
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Les Inrockuptibles, N 57, du 15 au 21 mai 1996
Pages: 58
Year: 1996
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Les Inrockuptibles, n 30, du 1er au 7 novembre 1995
Pages: 66
Year: 1995
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A Companion to Contemporary French Cinema
Author: Alistair Fox, Michel Marie, Rapha?lle Moine, Hilary Radner
Publisher: John Wiley & Sons
ISBN: 1118585429
Pages: 712
Year: 2014-12-02
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A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Features original contributions from top film scholars relating to all aspects of contemporary French cinema Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters Utilizes groundbreaking research on cinema beyond the fiction film and the cinema-theater such as documentary, amateur, and digital filmmaking Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time
Leos Carax
Author: Fergus Daly, Garin Dowd
Publisher: Manchester University Press
ISBN: 0719063159
Pages: 188
Year: 2003-12-19
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The first book in any language to study the films of this enfant terrible of contemporary French cinema, best known for his film Les Amants du Pont Neuf. Examines key ingredients in the worlds of Carax's films - Paris, pop music, 'flanerie' and 'amour fou', 'mannerist' and 'neo-baroque' aesthetics, the Nouvelle Vague and contemporary 'naturalist' cinema - making the book a good primer of contemporary French film and culture. Draws on a variety of intellectual sources, such as the philosophy of Deleuze, film criticism, theory of art, and literary monographs. Argues that the recent history of maverick mannerist and baroque auteurs, from Ruiz & Rivette to Garrel and Techine, and their explorations of the 'powers of the false' are key to Carax's cinema. Examines Carax's contribution to the strand of cinema which is focused on chance and destiny, from Wong Kar-Wai and David Lynch to films such as Serendipity and Sliding doors."
Affaires de Famille
Author: Marie-Claire Barnet, Edward Welch
Publisher: Rodopi
ISBN: 9042021705
Pages: 347
Year: 2007
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'Famille, je vous ai (encore et toujours à l'esprit?), je vous aime un peu, beaucoup, ou je vous hais énormément?' What are families like in contemporary France? And what begins to emerge when we consider them from the point of view of recent theoretical perspectives: (faulty) cohesion, (fake) coherence, (carefully planned or subversive) deconstruction, loss (of love, confidence or credibility), or, even (utter) chaos and (alarming) confusion? Which media revamp old stereotypes, generate alternative reinterpretations, and imply more ambiguous answers? What images, scenes or frames stand out in contemporary representations of the family? Uneasy contradictions and ambiguities emerge in this bilingual collection of approaches and genre studies. The family plot seems to thicken as family ties appear to loosen. Has 'the family' been lost from sight, or is it being reinvented in our collective imaginary? This book proposes a new series of perspectives and questions on an old and 'familiar' topic, exploring the state and status of the family in contemporary literature, culture, critical and psychoanalytic theory and sociology.
Les Inrockuptibles, N 60, du 5 au 11 juin 1996
Pages: 58
Year: 1996
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Conversations with Thomas McGuane
Author: Beef Torrey
Publisher: Univ. Press of Mississippi
ISBN: 1578068878
Pages: 214
Year: 2007
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Collected interviews with the author of Ninety-two in the Shade, The Sporting Club, and other novels
La Haine
Author: Ginette Vincendeau
Publisher: I.B.Tauris
ISBN: 0857730525
Pages: 128
Year: 2005-10-04
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Released in 1995, La Haine is the black and white chronicle of 24 hours in the life of a mixed-race young male trio from a run-down Parisian suburb. The work of a then unknown young team (director and actors were all under 30), it became hugely and unexpectedly successful, launching director Mathieu Kassovitz and lead player Vincent Cassel to stardom.The film's combination of hard-hitting social exposé, stylish black and white cinematography and hip-hop culture also turned it into an enduring cult movie with younger viewers. With great style and insight, Ginette Vincendeau provides a thorough understanding of the context of the film's making, its narrative tension, stylistic sophistication and ideological ambiguity and of its extraordinary success nationally and internationally. She thus explains why, out of so many films about disaffected youth, La Haine is the one that caught the imagination, becoming an instant classic.

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